Nana (1970)

One of the blondes has sharp eye makeup and long hair, lying close against another long-haired blonde on wrinkled bed sheets. They’re wrapped around each other, faces near crotches, swapping cunnilingus with slow mouth movements you can see clearly in the close-ups. Later, the same girl stands in daylight in a garden, looking down while wearing the same outfit, surrounded by palm trees. The lighting shifts hard from dim indoor warmth to natural sun, giving a real transition feel between private and exposed. Camera stays tight on faces during oral, especially her eyes in two extreme close-ups — dilated, half-lit, blinking slowly. No talking, no music, just ambient sound — feels like you’re in the room watching it unfold.