(Maruhi) jorô seme jigoku (1973)

Maruhi, a slim East Asian girl with dark hair in a topknot, wears a bright orange kimono that gets pushed aside early. She’s joined by Joro, another East Asian woman with a similar look but in a blue kimono, and two lean, muscular East Asian men with short hair. The scene opens quietly in what looks like a private home, tatami floors, soft light, posters on the wall — then things turn physical fast. One guy jerks off while watching the other two start grinding; hands are all over the women, tugging at robes, pulling breasts out. The close-ups show clear manual stimulation — fingers working nipples, one guy jerking himself off while running his other hand down Joro’s back as she leans forward. Maruhi ends up between the two men in a kneeling position, sucking one while the other presses against her from behind. The camera stays tight, mostly medium shots until it zooms in during the heavier contact, no shaky POV, just steady footage that keeps the faces in frame. Nothing’s overdramatized — they’re quiet, focused, the sex feels almost ritualistic.