La sorprendente eredità del tonto di mammà (1977)

One of the black guys is standing in a backyard, short hair, slim build, just talking to the white guy in the suit who’s lying on the grass. The white guy looks younger than he first appears — mid-20s, maybe late 20s, balding a little, hands tucked behind his head like he doesn’t have a care. Another black guy joins them, similar age, both wearing casual clothes, chatting like they’ve known each other for years. Later there’s a scene with a brown-haired girl in a dim living room, standing with one of the black guys, books on the shelf behind them. The tone stays low-key, conversational, nothing intense. Then suddenly it cuts to a prehistoric scene — three young men in animal skins or rough cloth, holding spears near big rocks, looking like they’re in some kind of primitive reenactment. Lighting is natural throughout, shot during the day in wide and medium frames, feels like a docu-style social hangout with a weird historical twist at the end.