La muchacha de las bragas de oro (1980)

The video opens with two young women walking barefoot on a sandy beach at daylight, both in their 20s and slim. One has long dark straight hair, the other long wavy blonde hair — both wearing casual clothes, no interaction beyond walking side by side. Later scenes shift indoors, focusing on the dark-haired woman alone. She’s lying topless on a bed, one arm behind her head, relaxed, slight curve to her back, natural lighting dim but clear. She shifts slightly, one hand brushing her hip, then moves to stand by a window with blinds half-closed, looking out silently, still topless, shot from behind showing shoulder blades and spine contour. Another indoor scene shows her with a cigarette, holding a framed photo while sitting on a couch, no dialogue. A separate sequence features an older grey-haired man in glasses typing at a desk with a typewriter, facing a mirror, medium light, no nudity. The pacing is slow, observational, more lifestyle than sexual. Camera holds on faces and small movements — how she flicks ash, how the sheets fold around her thigh. No sex, no dialogue, just quiet moments framed like stills from a film.