La compagna di banco (1977)

Three slim white girls, all in their 20s, are wrapped in towels together in a bathroom right at the start — one with long black hair, another with short dark hair, and the third with long dark blonde. The lighting’s soft, natural, and you get a clear look at their bodies before the scene shifts. A man in his 30s with dark curly hair is cooking in a kitchen, wearing an apron, then appears later in a dim hallway. He meets one of the girls — dark-haired, slim, early 20s — at the entrance, they interact close-up, some tension there. She walks outside alone later, passing street signs, like she’s leaving or coming back. No sex shown in the frames, but the vibe’s suggestive — young women, shared intimacy, domestic setting, one older guy entering the mix. Camera work is medium shot most of the way, indoor scenes feel lived-in, not staged like a typical porn set.