Gente Fina É Outra Coisa (1977)

A blonde in a red hallway adjusts her gloves while smoking a cigarette, dressed up like she just came from some upscale event. She’s with a dark-haired guy in his 20s, slicked-back hair, slim build — they’re not talking much, just eyeing each other like they’re about to break rules. The scene shifts fast: now they’re kissing hard in low light, tongues deep, hands grabbing at clothes. You see close-ups of the girl’s blue eyes, face flushed, then a shot of her in partial nudity with necklaces hanging low between her small tits. The guy lies on a bed holding a piece of lingerie like he’s waiting for her to lose it completely. Most of the action is implied rather than shown — the stripping, the makeup of skin, the way they move from standing to horizontal, but it’s all focused on that transition from public restraint to private heat. Camera stays wide in most shots, dim lighting, everything feels hushed and tense.