El día de los albañiles 2 (1985)

The redhead in the gold sequin top is the first one you really notice — curly red hair, slim frame, pale skin, standing in a sunlit apartment holding her clothes like she just took them off. She’s the only performer who shows up more than once, and she’s definitely the focus. Later on, she’s on all fours, getting pounded hard from behind, her ass bouncing with each thrust, the camera staying close and low to catch every angle. Before that, there’s a dimly lit indoor scene in a car where a bald guy with a muscular build leans in close to talk to a slim girl with long red hair, their faces near, tension building. Another scene shows two guys in an alley throwing punches, both athletic, wearing street clothes, natural light, looks like an actual fight. There’s also a club scene with a guy in a pink short haircut and another with blonde hair, both young, interacting in the dim light near a bar. No faces are recognizable, but the production feels raw, like handheld footage that jumps between moments without narration.