Day of the Warrior (1996)

A thick brunette in her 20s with long, tight dark curls sits on a living room couch, wearing red lipstick, looking off-camera with a slightly worried or shocked expression. Natural side lighting shows her full frame clearly — she’s got big tits, wide hips, dressed casual like she wasn’t expecting company. Cut to a younger blonde in a tight black bikini, hair soaked, standing barefoot on a patio with plants around, holding a clear glass — could be water, could be something stronger. She looks calm, maybe post-swim, slim and toned, the kind of girl who works out regularly. Later, two slim dudes in matching light suits walk side by side down a hallway with an orange wall, passing an ATM machine — both have short brown hair, clean look, moving fast like they’re late for a meeting. Then a separate shot of a man in his 30s, dark brown hair, light jacket, standing near curtains in what looks like an office or upscale home, staring to the side like he’s thinking hard. Final wide shot shows a quiet residential street with greenery and pavement — no action, just atmosphere. Whole thing feels like disconnected scenes from different storylines, maybe a teaser or opening montage.