Carnalitá morbosa (1981)

The video starts with a long-haired blonde in a doorway, spotlighted like she’s about to step into something. She’s barefoot, slim, wearing something tight, and moves with confidence. Then it cuts to two women in an outdoor orchard — pink blossoms in the trees, soft natural light — both bending forward at the waist, one in a blue top, the other in a tan shirt, reaching down like they’re grabbing branches or flowers. Their asses are visible, slightly framed by the angle, but it’s more suggestive than sexual at first. Later, the blonde and a short-haired brunette are face-to-face in a bathroom, lips locked, tongues visible, hands on each other’s arms like they’re really into it. Close-ups show their faces clearly — no fake passion, it looks real. The final scene shifts hard: a grey-haired guy in a suit stands with three younger women in a dim party room lit with colored bulbs. They’re all standing close, moving slightly like they’re dancing or flirty-talking. One of the women is Black, short bob, wearing a tank top, looking off to the side like she’s not fully involved. The mood’s different here — less intimate, more social — but still charged. Camera stays wide in most shots, no extreme close-ups on genitals or acts, but the eye contact and body language sell it.