Erosu no yûwaku (1972)

The scene opens with a close-up of two slim Asian women in their 20s locked in a tight embrace, possibly in a bedroom. One has short black hair, the other long dark brown hair — both wearing casual clothes before things get physical. They’re kissing deeply, faces tilted, bodies pressed together under soft lighting with a pillow visible behind them. The angle rotates slightly, keeping the focus on their mouths and upper bodies, making it feel personal and uninhibited. No penetration or explicit nudity in the frames shown, but the tension is clearly building from the first moment. There’s another scene later with three women in what looks like an office or industrial workspace, all Asian, two with short dark hair and one in a green hairnet, just talking — seems unrelated or a separate setup. Camera work is steady, tight on action when it happens, no wide distractions.