Yeuk saat (1994)

One of the girls has long dark hair tied with a red ribbon, lying down like she can’t move — her legs are spread, face showing stress. The other is barely visible, mostly just feet on the floor, small frame, slim build, surrounded by bugs crawling near her toes. Lighting is cold, blueish, gives off a creepy vibe, like some kind of psychological fetish scene. Camera stays tight on body parts — feet, faces, skin — not much full-body action. A guy with glasses appears later, sitting in front of a monitor, looks oriental, 20s or early 30s, no interaction shown. Whole thing feels more like a fetish art piece than straight porn, not much movement, more about mood and visuals.