Urufu gai: Moero ôkami-otoko (1975)

Two slim guys in their 20s with dark short hair and glasses stand facing each other in a dim room with stained glass visible in the background. The lighting is low but consistent, giving the whole thing a raw, unfiltered look. One guy holds an object — maybe a bottle or a prop — but it’s not clear what it’s for. They’re both standing, no physical contact shown in the frames, but the setup suggests tension or a build-up to something. Camera switches between wide shots showing the full space and close-ups on faces and details like the stained glass. The vibe is quiet, almost tense, not energetic or sexual in the frames provided — more about atmosphere than action.