Mil gritos tiene la noche (1982)

One guy has brown hair, the other has dark or curly hair — both are white, slim, and in their 20s or 30s. They’re seen together in a dimly lit study with bookshelves, standing near a doorway in what looks like a house, on a staircase inside, and briefly outside by a fence at a sports facility. Lighting is mostly low indoors, natural daylight in the outdoor shot. All scenes show them standing or walking, fully clothed, no physical contact beyond proximity. Camera stays at medium distance, no close-ups on faces or details. The whole thing feels like a setup or intro clip — no sex, no nudity, just movement between locations.