L’assassino è ancora tra noi (1986)

The girl in the red jacket is the standout here. She’s slim, early 20s, brunette, with short hair and a quiet intensity that fits the moody lighting. Most of the action takes place indoors in a dimly lit room with visible paintings on the wall and a lamp casting soft highlights. The sex is straightforward but well-shot — lots of close-ups on her face as she takes it, whether she’s on her back or leaning forward on the edge of a table. You see her hands gripping the surface, tensing up during deep thrusts. The camera holds on her reactions longer than usual, which works because she doesn’t fake it — grimaces, half-smiles, and heavy breathing feel real. It’s not loud or flashy, just focused on her body and how she handles the pace.