Yume no onna (1989)

The girl has long brown hair and a slim build, wearing light clothes that come off early. She’s on all fours on a white bed, then later on a brown leather couch, taking it from behind while the guy grips her hips hard. The camera catches both angles closely — you see her back arch, his thighs tense as he pushes deep. They switch to a soft indoor embrace, her head tilted back against his chest, faces close, breathing heavy. There’s also a daytime outdoor shot of them walking side by side down a city sidewalk under trees, passing signs for ‘Le Castel’ and ‘Tropic Blues’ like they’re coming back from somewhere. Everything’s lit by natural light, no dark shadows, gives it a raw, unstaged feel. The pace is steady, not rushed, with focus on body movement and real-looking interaction.