Qué buena está mi ahijada (1987)

One of the girls has long dark hair and a tight body — you see her laughing in the alley scene wearing jeans and a fitted jacket, standing close to the guy in the hat. They all look young, early to mid-20s, hanging out on a city street at first, then three of them — two women and a guy — are inside a kitchen with dim lighting, standing near a fridge with a calendar on it. The other guy shows up later, same dark-haired crew, and things shift from casual hang to sexual tension once they’re in the bedroom. The final shot is tight on the two in bed, fully clothed but in an intimate position, close enough that you see the texture of the sheets and a glass bottle on the nightstand. No nudity visible, but the mood is clearly building toward sex, the kind of slow-burn vibe where clothes come off just after the video ends. The lighting stays low, natural, feels like something shot on-location with no staging.