Nos reimos de la migra (1976)

A mixed group of people — mostly late 20s to 30s — kick back in what looks like a local bar or restaurant, laughing, drinking, and talking up close. The lighting’s dim but clear enough to see the interactions: a brunette in a tight top leans into a guy at a table, another couple stands near the doorway, faces close like they’re about to kiss. Outside shots show the same guys hanging by a storefront during daytime, one on the phone, the rest just chilling. Later, the scene shifts indoors to a dance hall with a stage — three young male viewers watch as a slim Latina in a short dress dances barefoot, moving slow and grinding on the floor under bright lights. The camera holds wide shots most of the time, capturing group dynamics more than intimate details. You don’t see full-on sex, but there’s clear tension and physical closeness throughout — a lot of touching, locking eyes, bodies pressed together in dim rooms.